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"The man with the mane? that is Griffith Blount. The most objectionable person any one could meet, but tolerated because his tongue is so awful. Do you know Colonel Graves? No! Well, he has a wife calculated to terrify the bravest man into submission, and last year when he was going abroad Blount met him, and asked him before a roomful 'if he was going for pleasure, or if he was going to take his wife with him.' Neat, wasn't it? But I don't remember hearing that Graves liked it." Mona looks up startled. The faint rays of the new-born moon are indeed rushing through the casement, and are flinging themselves languidly upon the opposite wall, but they are pale and wan, as moonlight is in its infancy, and anything but brilliant. Besides, Rodney's eyes are turned not on them, but on the door that can be seen just over Mona's head, where no beams disport themselves, however weakly. The duchess gives it up. "Yes, and a far better one, too," she says, amiably, declining to explain. Indeed, she is delighted to meet a young woman who actually regards slang as a foreign and unstudied language, and shrinks from being the first to help her to forget the English tongue. "Is there much beauty in Ireland?" she asks, presently..

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"In the wood?" "The missing will? Yes—yes—yes!" cries she, raising the hand that is behind her, and holding it high above her head with the will held tightly in it. And all the brothers too!'" Behind the house rises a thick wood,—a "solemn wood," such as Dickens loved to write of, with its lights and shades and every-varying tints. A gentle wind is rushing through it now; the faint murmur of some "hidden brook," singing its "quiet tune," fall upon the ear; some happy birds are warbling in the thickets. It is a day whose beauty may be felt..